American Cinematographer - November 2017 - 56

◗

In the Cold
Left to right:
First AD
Paul Barry,
Abu-Assad,
Walker,
and A-camera/
Steadicam
operator
Peter Wilke.

European aesthetic. We didn't do a lot of
coverage and we didn't do a lot of
cutaways. His interest is the emotional
journey of the characters and the camera
moving with them." The cinematographer adds that she wanted a more filmic
look for the images.
In that regard, Rivers-Moore
notes, "Our show LUT was a modified
Kodak film emulsion which added some
warmth and soft contrast to our Log C

56

image. On set, I made adjustments with
ASC CDLs to give us the handful of
looks we used on the picture.
"On location, we were dealing
with fairly extreme contrast," he continues, "so I was continually monitoring our
Log to ensure as much detail as possible
in the snow was preserved while exposing for Idris. The Alexa's dynamic range
handled this magnificently." The DIT
also controlled the iris.

As Ben and Alex reach lower elevations and spring approaches, the snow
begins to thaw. Alex falls through a patch
of thin ice and screams for Ben, who has
gone off to find the dog - the third
survivor of the crash. Ben hears the scream
and runs in the direction of her voice. "We
used the 40mm Sphero 65 for the wide
shot of [Winslet's stunt double] falling
through the ice," says Lavender. "For the
shot of Idris running through the forest,
we were [employing an Alexa 65 on] the
50-foot Technocrane mounted on a
Taurus base, fitted with snow tracks
instead of tires."
Walker picks up the story: "We had
a lot of discussion about how we would
shoot this scene, because everybody was
concerned about Kate being soaking wet
at minus-20 degrees Celsius. We were
going to do it on stage, then on a back lot
in Vancouver, but in the end Kate said
she'd do it on location - the back lot at
base camp, elevation 3,500 feet." Thus, the
underwater shot of Kate was captured in a



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American Cinematographer - November 2017

Table of Contents for the Digital Edition of American Cinematographer - November 2017

Contents
American Cinematographer - November 2017 - Cover1
American Cinematographer - November 2017 - Cover2
American Cinematographer - November 2017 - 1
American Cinematographer - November 2017 - 2
American Cinematographer - November 2017 - Contents
American Cinematographer - November 2017 - 4
American Cinematographer - November 2017 - 5
American Cinematographer - November 2017 - 6
American Cinematographer - November 2017 - 7
American Cinematographer - November 2017 - 8
American Cinematographer - November 2017 - 9
American Cinematographer - November 2017 - 10
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American Cinematographer - November 2017 - 14
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American Cinematographer - November 2017 - 16
American Cinematographer - November 2017 - 17
American Cinematographer - November 2017 - 18
American Cinematographer - November 2017 - 19
American Cinematographer - November 2017 - 20
American Cinematographer - November 2017 - 21
American Cinematographer - November 2017 - 22
American Cinematographer - November 2017 - 23
American Cinematographer - November 2017 - 24
American Cinematographer - November 2017 - 25
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American Cinematographer - November 2017 - 28
American Cinematographer - November 2017 - 29
American Cinematographer - November 2017 - 30
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American Cinematographer - November 2017 - 33
American Cinematographer - November 2017 - 34
American Cinematographer - November 2017 - 35
American Cinematographer - November 2017 - 36
American Cinematographer - November 2017 - 37
American Cinematographer - November 2017 - 38
American Cinematographer - November 2017 - 39
American Cinematographer - November 2017 - 40
American Cinematographer - November 2017 - 41
American Cinematographer - November 2017 - 42
American Cinematographer - November 2017 - 43
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American Cinematographer - November 2017 - 45
American Cinematographer - November 2017 - 46
American Cinematographer - November 2017 - 47
American Cinematographer - November 2017 - 48
American Cinematographer - November 2017 - 48a
American Cinematographer - November 2017 - 48b
American Cinematographer - November 2017 - 49
American Cinematographer - November 2017 - 50
American Cinematographer - November 2017 - 51
American Cinematographer - November 2017 - 52
American Cinematographer - November 2017 - 53
American Cinematographer - November 2017 - 54
American Cinematographer - November 2017 - 55
American Cinematographer - November 2017 - 56
American Cinematographer - November 2017 - 57
American Cinematographer - November 2017 - 58
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