American Cinematographer - December 2008 - 46

Rags toRiches connection and recorded using Silicon Imaging’s proprietary software, Silicon DVR. Depending on the speed of the drives, the signal can be recorded either uncompressed 1:1 or in Cineform Raw, which is approximately 4:1 compression; on Slumdog, the footage was shot compressed. Ciupek set the camera up to record straight to a hard drive via an Apple MacBook Pro laptop running under Windows. He assembled four units for the production, and by testing them in a sauna, he determined that the laptops would have to be packed in dry ice so they wouldn’t fail in India’s intense heat. (Once shooting began, the dry ice had to be reloaded hourly; the production required up to 45 pounds of dry ice daily.) “To house the recording units, we used extra-slim modified suitcases into which we integrated all the necessary devices,” explains Ciupek. “These included the MacBook, three batteries [a spare for the laptop, one for the camera and one for all the accessories], the Above: With 1st AC Telfer Barnes (center) and light boy Praveen Bhuwaad at the ready, Anthony Dod Mantle, BSC, DFF, leans in with an Arricam Lite to shoot a dusk-forday shot of young Jamal’s mishap in a public toilet. Daytime shots of the scene were captured with the SI-2K Mini. Right: This shot of pre-accident Jamal (Ayush Mahesh Khedekar) reflects Dod Mantle’s colorcorrection of the scene. Mini was so new that it had only been used in standard shooting situations, so the camera and its supporting equipment required customization to meet the demands of the Slumdog shoot. Stefan Ciupek, the show’s technical supervisor and additional camera operator, coordinated the modifications of the cam- era system with Wolfgang Damm and Pille Filmgeräteverleih, a camera facility in Wiesbaden, Germany. “Pille is a tremendous hands-on company, and they worked ’round the clock to get the cameras ready for us,” Dod Mantle notes. The Mini’s signal is output direct to disk over a gigabit Ethernet 46 December 2008

American Cinematographer - December 2008

Table of Contents for the Digital Edition of American Cinematographer - December 2008

American Cinematographer - December 2008
Contents
Editor’s Note
Short Takes: True Blood Titles
Tomorrow’s Technology
Production Slate: Closer to Truth
A High Price for Progress
Rags to Riches
1-Man Riot Squad
The State of the Art: An Update
Post Focus: Deluxe New York
New Products & Services
International Marketplace
Classified Ads
Ad Index
2008 AC Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: Donald McAlpine
American Cinematographer - December 2008 - American Cinematographer - December 2008
American Cinematographer - December 2008 - Cover2
American Cinematographer - December 2008 - 1
American Cinematographer - December 2008 - 2
American Cinematographer - December 2008 - Contents
American Cinematographer - December 2008 - 4
American Cinematographer - December 2008 - 5
American Cinematographer - December 2008 - 6
American Cinematographer - December 2008 - 7
American Cinematographer - December 2008 - Editor’s Note
American Cinematographer - December 2008 - 9
American Cinematographer - December 2008 - Short Takes: True Blood Titles
American Cinematographer - December 2008 - 11
American Cinematographer - December 2008 - 12
American Cinematographer - December 2008 - 13
American Cinematographer - December 2008 - 14
American Cinematographer - December 2008 - 15
American Cinematographer - December 2008 - Tomorrow’s Technology
American Cinematographer - December 2008 - 17
American Cinematographer - December 2008 - 18
American Cinematographer - December 2008 - 19
American Cinematographer - December 2008 - Production Slate: Closer to Truth
American Cinematographer - December 2008 - 21
American Cinematographer - December 2008 - 22
American Cinematographer - December 2008 - 23
American Cinematographer - December 2008 - 24
American Cinematographer - December 2008 - 25
American Cinematographer - December 2008 - 26
American Cinematographer - December 2008 - 27
American Cinematographer - December 2008 - A High Price for Progress
American Cinematographer - December 2008 - 29
American Cinematographer - December 2008 - 30
American Cinematographer - December 2008 - 31
American Cinematographer - December 2008 - 32
American Cinematographer - December 2008 - 33
American Cinematographer - December 2008 - 34
American Cinematographer - December 2008 - 35
American Cinematographer - December 2008 - 36
American Cinematographer - December 2008 - 37
American Cinematographer - December 2008 - 38
American Cinematographer - December 2008 - 39
American Cinematographer - December 2008 - 40
American Cinematographer - December 2008 - 41
American Cinematographer - December 2008 - 42
American Cinematographer - December 2008 - 43
American Cinematographer - December 2008 - Rags to Riches
American Cinematographer - December 2008 - 45
American Cinematographer - December 2008 - 46
American Cinematographer - December 2008 - 47
American Cinematographer - December 2008 - 48
American Cinematographer - December 2008 - 49
American Cinematographer - December 2008 - 50
American Cinematographer - December 2008 - 51
American Cinematographer - December 2008 - 52
American Cinematographer - December 2008 - 53
American Cinematographer - December 2008 - 54
American Cinematographer - December 2008 - 55
American Cinematographer - December 2008 - 56
American Cinematographer - December 2008 - 57
American Cinematographer - December 2008 - 58
American Cinematographer - December 2008 - 59
American Cinematographer - December 2008 - 60
American Cinematographer - December 2008 - 61
American Cinematographer - December 2008 - 1-Man Riot Squad
American Cinematographer - December 2008 - 63
American Cinematographer - December 2008 - 64
American Cinematographer - December 2008 - 65
American Cinematographer - December 2008 - 66
American Cinematographer - December 2008 - 67
American Cinematographer - December 2008 - 68
American Cinematographer - December 2008 - 69
American Cinematographer - December 2008 - 70
American Cinematographer - December 2008 - 71
American Cinematographer - December 2008 - 72
American Cinematographer - December 2008 - 73
American Cinematographer - December 2008 - The State of the Art: An Update
American Cinematographer - December 2008 - 75
American Cinematographer - December 2008 - 76
American Cinematographer - December 2008 - 77
American Cinematographer - December 2008 - 78
American Cinematographer - December 2008 - 79
American Cinematographer - December 2008 - 80
American Cinematographer - December 2008 - 81
American Cinematographer - December 2008 - 82
American Cinematographer - December 2008 - 83
American Cinematographer - December 2008 - 84
American Cinematographer - December 2008 - 85
American Cinematographer - December 2008 - Post Focus: Deluxe New York
American Cinematographer - December 2008 - 87
American Cinematographer - December 2008 - 88
American Cinematographer - December 2008 - 89
American Cinematographer - December 2008 - New Products & Services
American Cinematographer - December 2008 - 91
American Cinematographer - December 2008 - 92
American Cinematographer - December 2008 - 93
American Cinematographer - December 2008 - 94
American Cinematographer - December 2008 - 95
American Cinematographer - December 2008 - 96
American Cinematographer - December 2008 - 97
American Cinematographer - December 2008 - International Marketplace
American Cinematographer - December 2008 - 99
American Cinematographer - December 2008 - Ad Index
American Cinematographer - December 2008 - 2008 AC Index
American Cinematographer - December 2008 - 102
American Cinematographer - December 2008 - 103
American Cinematographer - December 2008 - 104
American Cinematographer - December 2008 - 105
American Cinematographer - December 2008 - 106
American Cinematographer - December 2008 - 107
American Cinematographer - December 2008 - ASC Membership Roster
American Cinematographer - December 2008 - 109
American Cinematographer - December 2008 - Clubhouse News
American Cinematographer - December 2008 - 111
American Cinematographer - December 2008 - ASC Close-Up: Donald McAlpine
American Cinematographer - December 2008 - Cover3
American Cinematographer - December 2008 - Cover4
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