American Cinematographer - December 2008 - 70

1-Man Riot Squad Right: Working closely with Gainer, production designer Andrew Neskoromny enhanced night exteriors by adding practicals, neon lights and rope lights. Below: The production commandeered a disused library to serve as a police station. The location called for an extensive rig, including 8' fluorescent fixtures, soft boxes, 6K and 18K HMIs outside the windows, and a Plus Green gel package for many of the fixtures. for what could be the final storm of violence. The location was the Saint-Pierre-Apotre church near Old Montreal. “That place is immense,” says Gainer. “When I walked in, I thought, ‘What am I going to do with this cathedral?’” “Steve comes up with ideas that just never would have occurred to me,” says Gagnon. “He wanted to hang a huge mirror ball in the middle of the church so we’d have speckles of light all over the place. That became the foundation of the scene’s look.” Gainer asked Neskoromny to procure a mirror ball measuring 4' in diameter, and the rigging crew hung it in the center of the cathedral, locking it down so it wouldn’t spin. Two 7K Xenons were pointed at the mirror ball, sending dots and accents of light across the sanctuary and bronze altarpiece. Gainer had to be careful not to overpower the accents with other lights or damage the 200year-old building with rigging. “They’re not cool with you drilling plates into the wall so you can hang a light!” he notes wryly. Instead, two 12K Pars were placed outside each of the cathedral’s windows and gelled with Steel Blue, and Xenons and Par cans were hidden in the upper balconies of the sanctuary as accent lights. In one of the establishing interior shots of Castle sitting alone in a church pew, 5K tungsten units were used as backlight — just enough to separate him from the background. “I didn’t see the need to outline him,” says Gainer. “I think it’s nice to notice the church first and then find him.” Neskoromny contributed 70 December 2008

American Cinematographer - December 2008

Table of Contents for the Digital Edition of American Cinematographer - December 2008

American Cinematographer - December 2008
Contents
Editor’s Note
Short Takes: True Blood Titles
Tomorrow’s Technology
Production Slate: Closer to Truth
A High Price for Progress
Rags to Riches
1-Man Riot Squad
The State of the Art: An Update
Post Focus: Deluxe New York
New Products & Services
International Marketplace
Classified Ads
Ad Index
2008 AC Index
ASC Membership Roster
Clubhouse News
ASC Close-Up: Donald McAlpine
American Cinematographer - December 2008 - American Cinematographer - December 2008
American Cinematographer - December 2008 - Cover2
American Cinematographer - December 2008 - 1
American Cinematographer - December 2008 - 2
American Cinematographer - December 2008 - Contents
American Cinematographer - December 2008 - 4
American Cinematographer - December 2008 - 5
American Cinematographer - December 2008 - 6
American Cinematographer - December 2008 - 7
American Cinematographer - December 2008 - Editor’s Note
American Cinematographer - December 2008 - 9
American Cinematographer - December 2008 - Short Takes: True Blood Titles
American Cinematographer - December 2008 - 11
American Cinematographer - December 2008 - 12
American Cinematographer - December 2008 - 13
American Cinematographer - December 2008 - 14
American Cinematographer - December 2008 - 15
American Cinematographer - December 2008 - Tomorrow’s Technology
American Cinematographer - December 2008 - 17
American Cinematographer - December 2008 - 18
American Cinematographer - December 2008 - 19
American Cinematographer - December 2008 - Production Slate: Closer to Truth
American Cinematographer - December 2008 - 21
American Cinematographer - December 2008 - 22
American Cinematographer - December 2008 - 23
American Cinematographer - December 2008 - 24
American Cinematographer - December 2008 - 25
American Cinematographer - December 2008 - 26
American Cinematographer - December 2008 - 27
American Cinematographer - December 2008 - A High Price for Progress
American Cinematographer - December 2008 - 29
American Cinematographer - December 2008 - 30
American Cinematographer - December 2008 - 31
American Cinematographer - December 2008 - 32
American Cinematographer - December 2008 - 33
American Cinematographer - December 2008 - 34
American Cinematographer - December 2008 - 35
American Cinematographer - December 2008 - 36
American Cinematographer - December 2008 - 37
American Cinematographer - December 2008 - 38
American Cinematographer - December 2008 - 39
American Cinematographer - December 2008 - 40
American Cinematographer - December 2008 - 41
American Cinematographer - December 2008 - 42
American Cinematographer - December 2008 - 43
American Cinematographer - December 2008 - Rags to Riches
American Cinematographer - December 2008 - 45
American Cinematographer - December 2008 - 46
American Cinematographer - December 2008 - 47
American Cinematographer - December 2008 - 48
American Cinematographer - December 2008 - 49
American Cinematographer - December 2008 - 50
American Cinematographer - December 2008 - 51
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American Cinematographer - December 2008 - 53
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American Cinematographer - December 2008 - 55
American Cinematographer - December 2008 - 56
American Cinematographer - December 2008 - 57
American Cinematographer - December 2008 - 58
American Cinematographer - December 2008 - 59
American Cinematographer - December 2008 - 60
American Cinematographer - December 2008 - 61
American Cinematographer - December 2008 - 1-Man Riot Squad
American Cinematographer - December 2008 - 63
American Cinematographer - December 2008 - 64
American Cinematographer - December 2008 - 65
American Cinematographer - December 2008 - 66
American Cinematographer - December 2008 - 67
American Cinematographer - December 2008 - 68
American Cinematographer - December 2008 - 69
American Cinematographer - December 2008 - 70
American Cinematographer - December 2008 - 71
American Cinematographer - December 2008 - 72
American Cinematographer - December 2008 - 73
American Cinematographer - December 2008 - The State of the Art: An Update
American Cinematographer - December 2008 - 75
American Cinematographer - December 2008 - 76
American Cinematographer - December 2008 - 77
American Cinematographer - December 2008 - 78
American Cinematographer - December 2008 - 79
American Cinematographer - December 2008 - 80
American Cinematographer - December 2008 - 81
American Cinematographer - December 2008 - 82
American Cinematographer - December 2008 - 83
American Cinematographer - December 2008 - 84
American Cinematographer - December 2008 - 85
American Cinematographer - December 2008 - Post Focus: Deluxe New York
American Cinematographer - December 2008 - 87
American Cinematographer - December 2008 - 88
American Cinematographer - December 2008 - 89
American Cinematographer - December 2008 - New Products & Services
American Cinematographer - December 2008 - 91
American Cinematographer - December 2008 - 92
American Cinematographer - December 2008 - 93
American Cinematographer - December 2008 - 94
American Cinematographer - December 2008 - 95
American Cinematographer - December 2008 - 96
American Cinematographer - December 2008 - 97
American Cinematographer - December 2008 - International Marketplace
American Cinematographer - December 2008 - 99
American Cinematographer - December 2008 - Ad Index
American Cinematographer - December 2008 - 2008 AC Index
American Cinematographer - December 2008 - 102
American Cinematographer - December 2008 - 103
American Cinematographer - December 2008 - 104
American Cinematographer - December 2008 - 105
American Cinematographer - December 2008 - 106
American Cinematographer - December 2008 - 107
American Cinematographer - December 2008 - ASC Membership Roster
American Cinematographer - December 2008 - 109
American Cinematographer - December 2008 - Clubhouse News
American Cinematographer - December 2008 - 111
American Cinematographer - December 2008 - ASC Close-Up: Donald McAlpine
American Cinematographer - December 2008 - Cover3
American Cinematographer - December 2008 - Cover4
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