Theatre Design & Technology - Spring 2008 - 54
After the puppets are carved, they are painted. Each guild
follows their own process and may coat the figure with anywhere from 4 to seven layers. First, they are coated with a resin
from the lacquer tree which keeps them water resistant and
protects from termites. Then a thin layer of silver is applied to
the puppet to catch light and create reflections as the puppet
moves. Different colored paints are applied over the silver.
The puppets are manipulated in three ways: the simple
pole mechanism, the complex pole mechanism or the string
mechanism.
The simple pole mechanism works as an extension of the
puppeteer. The end of a pole is fitted into the base of the puppet
on a rotating axis with a simple rudder attached. The puppeteer pulls, pushes or sweeps the pole around to create forward,
backward or sideways movements. This mechanism is used for
puppets that don't need a set of complex motions such as a fish
or a frog.
A single puppet with moveable limbs would be controlled
by the a more intricate mechanism consisting of a pole and
strings. The puppeteer controls both the pole and the strings
at the same time creating more complex gestures. The fisherman and his wife would be examples of this type of puppet. The
fisherman holds a fishing pole which would be moved up and
down by the strings and his wife holds a basket which she lowers to trap fish or her husband's head.
Scene in which fisherman is chased by a snake.
Cheu Teu opening the performance in Ha Noi theatre.
Some of puppets, like the pretty ladies or fairies, are
grouped together on a platform. These use a string or pulley
mechanism in which a system of strings is stretched between
stakes from the manipulation room to the stage. The main line
controls the floating platform while lighter strings manipulate
the body and limbs. Scenes with multiple characters and a lot
of movement would use this mechanism. Sometimes, as is the
case with the boat racing scene, the framework itself is part of
the puppet and is carved in the shape of a boat. Often, as in
the story of the triumphant return of the student to his village,
the outside perimeter is rigged with a system of underground
stakes and a procession of puppets is guided around it while in
the inside, individual puppets interact.
S P R I N G
2008
theatre
design
&
technology
53
Table of Contents for the Digital Edition of Theatre Design & Technology - Spring 2008
Contents
Theatre Design & Technology - Spring 2008 - 1
Theatre Design & Technology - Spring 2008 - 2
Theatre Design & Technology - Spring 2008 - 3
Theatre Design & Technology - Spring 2008 - Contents
Theatre Design & Technology - Spring 2008 - 5
Theatre Design & Technology - Spring 2008 - 6
Theatre Design & Technology - Spring 2008 - 7
Theatre Design & Technology - Spring 2008 - 8
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