American Cinematographer - October 2010 - 83

“Fire and Ice provide those coveted color spectrums at brightness levels that are usable all over the stage.” Changes in LED technology have also prompted ETC to upgrade its Vivid fixture to the Vivid-R, which provides a 50-percent increase in light output while consuming 10 percent less power than the original Vivid. Vivid-R combines high-power Luxeon Rebel LEDs and high-efficiency lenses for its color production and lighting punch. Because of the low heat output of all Selador Series LED fixtures, Vivid-R’s colors can be blazing without overheating the talent. For additional information, visit www.etcconnect.com.

be purchased as a retrofit kit for Robert Juliat’s 600 Series Tungsten, 400 Series Quincy and Figaro luminaires. For additional information, visit www.robertjuliatamerica.com.

Robert Juliat Profiles Aledin Robert Juliat has introduced the Aledin LED Profile Framing Spotlight, which delivers excellent output, framing and projection from an extremely low-powered, 85watt LED light source. Based on Robert Juliat’s 600SX Series profile, the Aledin benefits from the famed double condenser optical system and retains all the features of a standard Robert Juliat profile. Aledin’s low power consumption is of value where power availability is limited, while a choice of color temperature (3,500°K or 5,800°K) makes it a perfect solution for a variety of environments. Additionally, the fixture boasts no UV or IR emissions. Other features of the Aledin include built-in framing shutters and compatibility with metal, glass or plastic gobo materials. The fixture includes a built-in, electronic, flicker-free, dimmable PSU with direct DMX input — no external dimmer is required — and the color temperature remains consistent throughout the dimming range. The Aledin is available in three zoom ranges and can also

K5600 Accessorizes Joker-Bug with Big-Eye K5600 has released the Big-Eye accessory for its Joker-Bug lighting system. The Big-Eye turns any Joker-Bug into a giant, focusable Fresnel beauty light. The 24" Big-Eye converts the JokerBug to a large, hard-light source with naturally defined shadows. The Big-Eye package weighs 22 pounds (with a Joker-Bug 800), is foldable for easy transport, and is quick and easy to set up. For additional information, visit www.k5600.com. Elation Professional Filters, Shapes LEDs Elation Professional has introduced the LSF Series of Light Shaping Filters, which instantly give any LED fixture made by any manufacturer a wider, smoother beam angle. The Light Shaping Filters can attach to a gel frame or the inside of an LED’s casing in minutes to add 10, 20 or 30 degrees to the fixture’s beam, or a linear beam shape effect ideal for stage or wall grazing. “Customers have been asking for wider diffused LED lighting fixtures without losing a lot of output, and our new Light Shaping Filters provide an easy, cost-effective way to attain this,” says Eric Loader, director of sales for Elation Professional. “Using one of these filters, you can widen the beam of a narrow-beam-angle LED Par like our Opti Tri 30 and convert it into a fixture suitable for a stage or wall wash.” The LSF Series has been designed to
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American Cinematographer - October 2010

Table of Contents for the Digital Edition of American Cinematographer - October 2010

American Cinematographer - October 2010
Contents
Editors Note
President’s Desk
Short Takes: “Lakairomania”
Production Slate: Enter the Void • Indie 3-D
With Friends Like These…
Zero-Sum Game
Bloody Valentine
Welcome to the Jungle
Post Focus: Advanced Digital Services
New Products & Services
International Marketplace
Classified Ads
Ad Index
Clubhouse News
ASC Close-Up: Jim Denault
American Cinematographer - October 2010 - American Cinematographer - October 2010
American Cinematographer - October 2010 - Cover2
American Cinematographer - October 2010 - 1
American Cinematographer - October 2010 - 2
American Cinematographer - October 2010 - Contents
American Cinematographer - October 2010 - 4
American Cinematographer - October 2010 - 5
American Cinematographer - October 2010 - 6
American Cinematographer - October 2010 - 7
American Cinematographer - October 2010 - Editors Note
American Cinematographer - October 2010 - 9
American Cinematographer - October 2010 - President’s Desk
American Cinematographer - October 2010 - 11
American Cinematographer - October 2010 - Short Takes: “Lakairomania”
American Cinematographer - October 2010 - 13
American Cinematographer - October 2010 - 14
American Cinematographer - October 2010 - 15
American Cinematographer - October 2010 - 16
American Cinematographer - October 2010 - 17
American Cinematographer - October 2010 - Production Slate: Enter the Void • Indie 3-D
American Cinematographer - October 2010 - 19
American Cinematographer - October 2010 - 20
American Cinematographer - October 2010 - 21
American Cinematographer - October 2010 - 22
American Cinematographer - October 2010 - 23
American Cinematographer - October 2010 - 24
American Cinematographer - October 2010 - 25
American Cinematographer - October 2010 - 26
American Cinematographer - October 2010 - 27
American Cinematographer - October 2010 - With Friends Like These…
American Cinematographer - October 2010 - 29
American Cinematographer - October 2010 - 30
American Cinematographer - October 2010 - 31
American Cinematographer - October 2010 - 32
American Cinematographer - October 2010 - 33
American Cinematographer - October 2010 - 34
American Cinematographer - October 2010 - 35
American Cinematographer - October 2010 - 36
American Cinematographer - October 2010 - 37
American Cinematographer - October 2010 - 38
American Cinematographer - October 2010 - 39
American Cinematographer - October 2010 - 40
American Cinematographer - October 2010 - 41
American Cinematographer - October 2010 - Zero-Sum Game
American Cinematographer - October 2010 - 43
American Cinematographer - October 2010 - 44
American Cinematographer - October 2010 - 45
American Cinematographer - October 2010 - 46
American Cinematographer - October 2010 - 47
American Cinematographer - October 2010 - 48
American Cinematographer - October 2010 - 49
American Cinematographer - October 2010 - 50
American Cinematographer - October 2010 - 51
American Cinematographer - October 2010 - 52
American Cinematographer - October 2010 - 53
American Cinematographer - October 2010 - Bloody Valentine
American Cinematographer - October 2010 - 55
American Cinematographer - October 2010 - 56
American Cinematographer - October 2010 - 57
American Cinematographer - October 2010 - 58
American Cinematographer - October 2010 - 59
American Cinematographer - October 2010 - 60
American Cinematographer - October 2010 - 61
American Cinematographer - October 2010 - 62
American Cinematographer - October 2010 - 63
American Cinematographer - October 2010 - 64
American Cinematographer - October 2010 - 65
American Cinematographer - October 2010 - Welcome to the Jungle
American Cinematographer - October 2010 - 67
American Cinematographer - October 2010 - 68
American Cinematographer - October 2010 - 69
American Cinematographer - October 2010 - 70
American Cinematographer - October 2010 - 71
American Cinematographer - October 2010 - Post Focus: Advanced Digital Services
American Cinematographer - October 2010 - 73
American Cinematographer - October 2010 - 74
American Cinematographer - October 2010 - 75
American Cinematographer - October 2010 - 76
American Cinematographer - October 2010 - 77
American Cinematographer - October 2010 - New Products & Services
American Cinematographer - October 2010 - 79
American Cinematographer - October 2010 - 80
American Cinematographer - October 2010 - 81
American Cinematographer - October 2010 - 82
American Cinematographer - October 2010 - 83
American Cinematographer - October 2010 - 84
American Cinematographer - October 2010 - 85
American Cinematographer - October 2010 - International Marketplace
American Cinematographer - October 2010 - 87
American Cinematographer - October 2010 - Ad Index
American Cinematographer - October 2010 - 89
American Cinematographer - October 2010 - Clubhouse News
American Cinematographer - October 2010 - 91
American Cinematographer - October 2010 - ASC Close-Up: Jim Denault
American Cinematographer - October 2010 - Cover3
American Cinematographer - October 2010 - Cover4
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