Theatre Design & Technology - Fall 1995 - 68

macro function in other programs Irhere you simpUfy command entry by
programming keys and combinations of key strokes,
Creating srmbols is also yery easr. You just select the objects Irhich
comprise the symbol. choose "Create Srmbol" andl\ve the name of the
nell' symbol in the text box.
Other admncements include associatil'e dimensioning and tracking, Once placed, dimensions are updated as the dimensioned items are
stretched or re-scaled. Tracking makes it unnecessarr to dra\\' temporarr
construction lines to locate drmring points br referencing an entitr's locations to other geometry Irithout actualh drmring an orthogonal line,
\isual GrillD is an excellent product for the price. It is a full-featllred. t\\'o-dimensional CW program that does mosl el'en1hing a scenic

designer or technical director needs. The only question concerns the
relatil'e merits of 2-D yersus 3-D drafting sofl\rare, Most of the computergenerated plans, sectionals, Ught plots and ll'Orking dra\\'ings that J hal'e
seen in the theatre are tIro-dimensional. so the lack of 3-D capabilitr is
not much of a disadrantage, especiallr if rou are looking for a reasonablr
priced product. Considering the lOll' retail price. open architecture, \isual Basic and \isual C+ + add-on applications, 1 hare to agree Irith
\umera's claims that \'isual CWD for WindOlrs defines an "ultra-mlue"
segment in the C:ill market.
Reriewed br Dr. Patrick Finelli
lnirersity of South Florida

International Journals---------Norma Adler, Editor

* Biihnentechnische Rundschau (Germam'), Aplil 1995: 'Kiss of/he
Spidem'olllall in \ienna" br Peter Bouchier and Tadeusz KJ'Zeszo\\iak:
"Operating Regulations for Theatre ;Uld Other Pelfollnance Sites in
\alious Europe;Ul Countries" bl' Kay KJ11ll and Carsten Schmid: "WispPS" br B. Gebauer: "SIEL ;Uld the 10th Theatre Salon in Pm'is" bv K;uin
Winkelsesser; "It's Time to Plml Time..." by Walter Macken: "Basic
Training in the Sceniclrechnical Field" by Heinz Bl1l11o Gallee: "A Small
Theatre Acaden1\" by Michael Hanlpe: "Human Rescue in Theatre
Fires" br Hans-Joachim Profeld; "DTHG-Podium: Proposition Paper by
the DTHG, ShOlrTech Congress Progrmn, 2nd Issue of the OISTAT Bulletin"; "ught Technology in K;\Ssel" br FrmlZ Fischbach; "Cnusual Stage
Design for Mahler's \inth" bv Heinz Gelhich.
___,June J995: "Rillg Ready for Round TIro: Siegfried at the Berlin
State Opera" by Harald B. Thor: "The Consenaton for ~Iusic ,Uld Pel'
forming A.l1S in Vienna's \'elr Sttldio Stage" bv Walter \on HoessUn:
"The Baroque C;\Sue in Ceskv KJ'unllov (1766-1767) br Miloslav M;L\a:
"ust of Existing Theatre Buildings in the Czech Republic": "Pr~lctical
Pieces of Wisdom on Project M;Ulagement Srstems" bv Bemd Scholmld:
"Is Laser D;Ulgerous' HOII' D;Ulgerous is L;\Serl" br Horst Schneider:
"Installation of EC Motors in Repairing the Abore-Stage l'vlachinerr of
the Bar:uiml State Opera" bvJorg i\lielchen; "Tenth AnnirersarY of the
Semper Opera Reconstruction" by r. Denen, G. Schapke ,Uld K.-I\1.
Thiel: "DTHG-Podium: 199+95 Business Report, lS1'11' Annual Confel'
ence, World Congress of Costume Designers mld Costume Makers,
OIS1~U Calendar, PQ Progr~un, OISTAT Congress Progr,Ul1": "1\larking
Products \\ith the CE Sign" bv Wolfg;Ulg Grau; "Equal Vielring Conditions for VaIied MaI1Ufactllling Processes of Pictures, Which Themselres Are \'iewed in Differelll Wars (Part I)" bv Wolfg,Ulg Grau:
"Digital Dimmers in Th~ltre aIld Sttldio" br Bertold./ilger: "Computer
or Dr:lIring BO,lrd" br ~lartin Scherffig,
___' 1995 Special Issue on Sho\\Tech Congress: "Selyicing ;Uld ~lain-
ten,UlCe of Pelform,Ulce ,Uld Technical Facilities" br Klaus Wichm;u1I1:
ShowTech Opening Report: Summaries of Congress Lectures: "Trends
;Uld Del'elopments" by Reinhold Daberto ,Uld Kurt Gerling; "Bodily InjurI' Through ~Iusic Perform,Ulces'" Iw G. Fleischer; "Theatre Recon66

..\

1

1

I

"

.,

.: ;

TD&T

structions in Hof ;Uld Freiberg": "'Schauburg' Miinchen" bv Reinhold
Dabel10 aIld Thomas Pfister: "Stadulalle Kassel" by Bemd \'ev: "I\lusic
und KongreBhalle Llibeck' by HmlS Pinck; "Haus del' Kulttlren del'
Welt, KongreBhalle Berlin" by Fengler, Palme aIld \enreyen: "\DR
Produh1ions und Sendezentrum Hmnburg" br Theatel1echnische
Srsteme: "Music Hall Sttlttgart" by Heimich WiczkOlI'iak: "Theater del'
Altmark, Stendal" br Wemer Ruhnau: "Theater Baden-Baden" br
Walter Huneke: "Theater Putbus" bv Scholzel, BrautigaIll, Begler ,Uld
Almert; "Theater Gouda ;Uld Opera Gent" br MatiaI1I1e Buitenhuis; "The
THJTS-\orm" bv Klaus J;Ulssen; "Staatsoper Wien" by W. Weinwurm
,Uld H, Brun: "Comedie FrmH;:aise" bv Olle Soderberg; "Theater
s'l-leI10genbosch" by Aeg \ederiaIld.
Lighting + Sound Intemational (Great Blitain), Mar 1995: "Showboat"
br TonI' Gottelier: "A Fair E\chaIlge" by Robert Hallidm: "On Tour:
Simple ~Iincls aIld Plince" br Stere Moles; "Baptism of Fire" br Ruth
Rossington; "Asleep in the Stalls" br laIl Herbert: "The ABTT Mix" br
Robert Hallidav; "Second Take" brJohn Watt: "Sound for the Olivier"
bv Mike Walker: "Vie\\voint" by Peter Brooks.
___' .June 1995: "On Tour: J;Ulet Jackson ;Uld The Hollies" bv Steve
Moles: "The World Remembers" bv Steve ~Ioles ;Uld Ruth Rossington:
"World ubenv Concelf' br Lee Baldock; "Rming ;Uld Drooling" bv
~lark Cunningh,Ull: "Second 'I~lke" br John Watt: "The Feel-Good Factor" bv Grahmn W,Une: "Asleep in the Stalls" bv I,Ul Herbert: "F!;\Slllight
on Film" brJohn Offord: "Points of L;l\r" by Alex Cartel'Silk; "Entertaining Solutions" br Ruth Rossington: "Funding Culture": "\ie\\voilll" br
Gr,Ulml1 W;Une.
* Profile (\elr Ze;u,Uld), AUlUmn 1995: "P;umerston \0I1h \'eI1lleS lpdate": "Selecon \Z Celebrating Ten Years": "Reliew: /11/0 /he Woods":
"Design: 71Jejlldas Zoo-lndustri,U Future Shock': "He,Uth & Safetr":
"Design: As lOll Like !I-'60s Psychedelic Costumes."
Proptology (CUlada), Winter 1995: "Papier lache Rediscorered" by
Ronnie Burkett: "Gun Control": "PropChem IaI" br Thurston Junes:
"1I0\\' I Did It: A\'egetatire lIint" br ~lichael KosIOlsh'y, "11011' I Did It:
Building a Sword Cane" by I,Ul Abbott; "Long Knives at the B,Ulff Centre" brWulf.



Table of Contents for the Digital Edition of Theatre Design & Technology - Fall 1995

Contents
Theatre Design & Technology - Fall 1995 - 1
Theatre Design & Technology - Fall 1995 - 2
Theatre Design & Technology - Fall 1995 - 3
Theatre Design & Technology - Fall 1995 - Contents
Theatre Design & Technology - Fall 1995 - 5
Theatre Design & Technology - Fall 1995 - 6
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https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1980spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1979spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1978spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1977spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1976spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975winter
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975fall
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975summer
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1975spring
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1974Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1973Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1972Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1971Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1970Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1969Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1968Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1967Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966May
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1966Feb
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Dec
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965Oct
https://www.nxtbook.com/nxtbooks/hickmanbrady/tdt_1965May
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